Hollywood Watch - Morgan Freeman: America’s “Spiritual Presence-in-Chief”

I’ve just finished researching and writing a long essay on a two decade-old phenomenon in which the film image of African American males has improved dramatically. It now rivals that of white males, who outnumber blacks by about seven to one. (We might also mention that it was white males who ruled and largely built the nation we know as America.) Like others, I do not believe this process has “just happened.” Rather, I believe it is the result of a determined effort of elites to displace whites—especially males—from positions of status and power, if not to eliminate them altogether.

J.B. Cash, who is associated with the website Caste Football, describes this process about as well as anyone:

There are various names for the ideology of the elite. Some call it “political correctness.” Others call it “Cultural Marxism.” But the labels don’t matter as long as one understands what is going on: the ruling elites are waging a cultural and racial war against Western values, Western civilization, and particularly Western man, i.e., the white man. In the name of the feel-good mantras of diversity and multiculturalism, all the values of traditional white civilization have been declared bad and everything opposed to them declared good. Every idea, attitude, and institution that protects the white race and promotes its continued existence is being destroyed, as a precondition for the physical destruction of the race itself. No arena of life is spared this agenda’s icy grip. Every movie, television show, news story, book, and sermon must advance it, under the watchful eye of an army of censors and snitches demanding unyielding fidelity to the agenda. No argument or evidence is allowed to challenge it.

(For those so interested, William Lind’s Who Stole Our Culture adds further useful discussion.)

As my main area of academic research is film and its influence on society, I am naturally interested in the changing portrayals of various ethnic, racial, and gender groups in American society. Toward this end, my recent research involved the image of the noble black man, or, as Richard Brookhiser dubs him, the Numinous Negro.

Brookhiser tells us that the word ‘numinous’ is a Roman term for “the presiding divinity . . . of a place.” It also means “spiritually elevated.” According to Brookhiser, the Numinous Negro presides over America, “and contact with him elevates us spiritually.” The most obvious example comes in the person of Morgan Freeman in films such as The Shawshank Redemption, Deep Impact (U.S. president) and Bruce Almighty, where he plays, well, God. Though Brookhiser adds that “the Numinous Negro need not be a man — Toni Morrison and Oprah are Numinous Negroes (Ms. Morrison is a seer; Oprah is a sage)” — the vast majority of recent films featuring the Numinous Negro star male characters. I’ve already written about Denzel Washington, another excellent example of the genus.

Morgan Freeman Expressing his Numinosity as God in Bruce Almighty

Source:
Morgan Freeman: America’s “Spiritual Presence-in-Chief”
theoccidentalobserver.net